Dot is not a “Wallflower” Kind of Girl

There’s a movie coming out soon. A new teen movie. A new angst-ridden, teen movie.

Based on the angst-ridden, teen novel of the same title.

The Perks of Being a Wallflower.

Apparently, this book comes highly recommended for the teen scene. The popularity of the movie’s female lead, Emma Watson, stems from her long-running popularity as Hermione in the Harry Potter films.

The movie is rated PG-13. That’s to be expected: any teen movie should have themes above the G-rated crowd. But in reading reviews of the book, I’m surprised it’s not rated R.

Dot’s been asking to buy the book, so I did my parental due diligence and Googled reviews everywhere I could find them: Amazon, Barnes & Noble, blog posts… everywhere.

The overwhelming support of the book has me a bit befuddled. I always read the very negative reviews first, and then read the positives. Nearly every negative review read the same: This is not how teens act or speak. This was obviously written by an adult pretending to be a teenager. It was disjointed and hard to follow. Very surfacy. Not a lot of depth.

Now, I can understand some critical reviews are harsh, and I’m willing to put up with bad writing for the sake of learning what not to do.

But the more I read, the more appalled I became at what passes for a “remarkable” story of “high school life”. And I decided to peruse the book myself to make sure I wasn’t overreacting.

By Page 21, I cited too many innuendo and descriptions (and yes, bad writing), to expose my daughter to such material. I prefer not to rehash it here out of respect for my mother who reads my posts, and for others who feel the same way.

You can’t unring a bell, and I certainly don’t need my 17-year-old daughter’s bell rung in such a blatant, sexual manner.

Whatever happened to the fascinating, gripping, wonderful storytelling of old? Dickens, Jules Verne, Arthur Conan Doyle. Certainly, even with some suggestion of Sherlock Holmes’ drug use, it wasn’t blatant or casual. And he suffered consequences.

Apparently, to be a successful Young Adult writer, you just need a gutteral mindset and a few cuss words.

To be fair, I had heard that the ending makes it all better. That the conclusion of the book has a great message. But does that make it okay to expose our young readers to such material in hopes that they won’t be affected by it, because, after all, it’s the end result that matters? If that’s so, they why is society always saying things like, “It’s not the destination, it’s the journey…”

It reminds me of the Brownie Parable:

Children were imploring their father for permission to see a movie rated PG-13. They gave him their best reasons: their favorite actors were in it. Everyone else was seeing it, even some church members. It was only rated PG-13 for a few little things: The suggestion of sex (just innuendo, nothing was really shown). The language wasn’t that bad (only a few curses, and just a few misuses of the Lord’s name). The special effects were amazing (a building full of people were blown up, but only one building). After listening patiently to their pleas and reasonings, the father simply said, “No,” without an explanation. The children kept asking. The father simply kept saying, “No.”

Later that same day, the father offered his children some special brownies. “What makes them special?” They wanted to know. He matter-of-factly replied he’d added dog poo. But just a tiny, tiny bit. The rest of the ingredients were exactly as the recipe specified, and the brownies had been otherwise perfectly prepared.

The children refused to eat the brownies. Their father pretended to be shocked. After all, these were their Grandmother’s recipe, with that one small, minimal addition. How could such a small bit affect the whole? They would never really notice. Still, the children refused.

The father set the brownies aside. He told his children the movie they wanted to see was the same as the brownies. They wanted him to believe that just a little bit of wrong-ness wouldn’t affect them; that the ending justified the means. With the brownies as an example, they were able to see how even just a little bit of dog poo can ruin something great. The father further told them that Satan tries to enter our minds and homes by deceiving us in just this way, by telling us “just a little” won’t hurt us.

He asked his children why they won’t compromise eating a brownie, but they’d compromise what they accept as “entertainment”? The children had no answer. But they never asked again.

The movie will be rated PG-13 by the MPAA: “Rated PG-13 on appeal for mature thematic material, drug and alcohol use, sexual content including references, and a fight – all involving teens”.

After many notes on IMDb.com about the book’s content, there was this disclaimer:

“NOTE: All of this will most likely be toned down (and I’m assuming some will be removed from the movie) due to the PG-13 rating.
Stephen Chbosky (screenwriter/author/director) also said he was trying to focus less on the sex aspect when it came to the movie.”

My question is: If the novel is too graphic for the PG-13 crowd to watch, what makes it okay for them to read?

Now, I’ve had all “the Talks” with Dot that a Mom’s supposed to have. We talk about drinking, drugs, sex, good behavior and rewards, bad behavior and consequences, questions, differences of opinions vs. Right or Wrong, what Society expects of her compared to what her family expects of her… and many other topics. Dot and I talk. A lot. And for that I’m thankful.

Because when she asks if she can read this book, she trusts I have a good reason for disappointing her when I say, “No.” I just can’t expose my teen daughter to a world where dog poo is an acceptable ingredient.

And Frankly, My Dear… that’s all she wrote!

Sweeten my tea and share:

Conversations with My Daughter

Dot: “Errrr!… I just parked a car in my brain.”
Me: “I noticed.”
Dot: “I think I should get the brakes checked.”
Me: “You need to get something checked.”
Dot: “That’s mean.”
Me: “Says the girl who just parked a car in her brain.”
Dot: “That wasn’t mean. That was just insane. Oh, look. I just crashed.”
(Complete with siren noises).

Yes. She’s a college student on overload.

And it’s only Day One. I’m thinking it’s gonna be a fun year.

And Frankly, My Dear… that’s all she wrote!

Sweeten my tea and share:

My Top Ten Disaster Movies

I woke up feeling sick this morning. I mean, really sick. I should have expected it: my dreams for the last few nights have been bizarre. I don’t mean creepy. I mean Willy Wonka meets Flashpoint in an Atlantis-setting kind of weird. Yeah. That kind of weird.

So as I’m sitting here trying to think up something profound to write for today’s post, I’m also inundated with horrible news stories from around the world. Tropical Storm (soon to be Hurricane) Isaac, a plethora of earthquakes, and of course all the political thrills going on.

The news reports and even my Facebook wall read more like something out of a movie. And that is what has inspired this post.

My Top Ten Disaster-Type Movies, in no particular order (except #1):

10.  JAWS. Sure, it’s not a natural disaster in the Mother Nature sense, but what’s more natural than predator vs. prey?

9. VOLCANO. Tommy Lee Jones. The “It Can’t Really Happen Here” syndrome that makes you wonder… what if it did happen here?

8. SUM OF ALL FEARS. Sort of a cross between natural disaster and political thriller. With Ben Affleck. Any questions?

7. THE MANCHURIAN CANDIDATE. Either the original with Frank Sinatra or the remake with Liev Schrieber. Not a disaster movie, you say? Maybe… but it’s a great political thriller, so I think that qualifies.

6. KNOW1NG. Who doesn’t love Nicolas Cage, even when he’s rejecting what everyone else seems to know… until, that is, he has no choice but to believe.

5. 2012. John Cusack drives a limo and flies a plane, just to save his family from the end of the world. I call that a tad romantic. Or cheesy. You decide.

4. ARMAGEDDON. Bruce Willis and Ben Affleck (here he is again!) save the world, with a bunch of misfit oil-riggers and a little romance.

3. SIGNS. I guess this one really does fall under the “It Couldn’t Happen Here” category… or could it? Just because you haven’t seen it, doesn’t mean they’re not out there…

2. CONTAGION. Aside from one of favorite reasons being any FLASHPOINT actor (here, Enrico Colantoni), this movie really brings it to the table. Everything, that is, except the vaccine.

1. THE DAY AFTER TOMORROW. Sure. You keep making fun of those who speak of Global Warming

*Honorable Mention: THE POSEIDON ADVENTURE. While the remake with Kurt Russell and Josh Lucas is outstanding, nothing compares to the original with Gene Hackman and Ernest Borgnine. A rogue wave, survival of the fittest, and a plausible plotline. If anyone asks, this is why I’ve never taken a cruise.

And Frankly, My Dear… that’s all she wrote!

Sweeten my tea and share: